Great Moments in Parenting (A Jacke Wilson Objectino)

Today’s Objectino* includes a video!

A JACKE WILSON OBJECTINO

Two young parents are admiring their sleeping six-month-old boy.

FATHER: He’s getting so big—pretty soon he’ll be learning how to read, and we’ll be watching all those great educational shows, like Sesame Street and Electric Company

MOTHER: Oh yeah! Electric Company. Those two silhouettes talking to each other.

[MOTHER holds up hands like two puppets facing each other]

MOTHER [opening one hand]: Sh…

[Long pause. MOTHER stares at the other hand.]

MOTHER: Sh…

[Long pause. MOTHER does not open the other hand.]

MOTHER [dropping her hands to her sides]: The only thing I could think of was shit!!!


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The Cladogram (A History of Jacke in 100 Objects #27)

cladogram

I was a young father raising a toddler in New York City. I was also a broke, miserable student buried under an avalanche of student loans. In my filthy, sleep-deprived condition I suddenly remembered Thomas Hobbes’s description of life, which I’d read years earlier. What was the line? Life is solitary, poor, nasty, brutish, and…something else. Awful? Horrendous? Ridiculously terrible? Whatever. It all fit.

“Hobbes?” my wife said, shaking her head like someone watching a child board a roller coaster that will be too much for him. “Now you’ve got that in your head?” Continue reading

Thanksgiving Week 1: Kids

I’ve got a big December planned here on the Jacke Blog. So I’m taking a breath and celebrating my favorite week of the year. Thanksgiving! Time to bring in the harvest, start up a fire, watch a little football, and keep the kitchen bustling.

So today I’m giving thanks for children, who make all this work more fun. I love putting together a big Thanksgiving feast while the boys and their cousins are watching movies and playing video games. So awesome.

Enjoy the week of holidays, kids!

And here are a few stories to remind us all of the glory of kids: Continue reading

The Offering (A History of Jacke in 100 Objects #26)

staring-fox

And then something happened that changed everything.

I wish I could start the story that way, because that’s how it felt when it happened: startling, vivid, breathtakingly transformative. Even now it makes my heart race, the moment when I looked down and saw what I saw on our front porch, and the follow-up moment when I pulled the car out of the garage and saw what was there. But you can’t be jolted out of a world without there being a world to be jolted out of. That’s an awkward way of saying it, but I’m a storyteller, not an expert in metaphysics. Bear with me.

And then something happened that changed everything.

We’ll get to the something. But first, you have to know what the everything was.

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We were renting a house on a cul-de-sac in northern Virginia. The purplest part of a purple state, in the section of territory that, viewed on a map, looks like it was carved out of D.C. Someone probably fought a war over this patch of land, once upon a time. Historic battlefields were everywhere, replaced now by highway interchanges and big-box stores. Progress marched along. Even decent old brick houses like ours were being torn down in favor of ersatz palaces with fake-stone facades, their walls rising up from the very edges of the small-sized lots.

One nice thing about living in a purple state was that my vote mattered. What was less nice was that my next-door neighbors put up an Obama sign and the kids who lived across the street shot it up with their BB guns.

We had left New York City so that our toddlers could play in a backyard. And now this? Young political activists? With guns?

I had not moved to the suburbs so my kids could be caught in the crossfire.

But we had signed a twelve-month lease, so what could we do? We settled in and kept the blinds pulled. Our kids could play in the backyard. Away from stray bullets.

Since we were renting, there were a few things we had to do to convert the house to something suitable for our family. We took down a hammock after it caused too many problems. (Hammocks are lovely for grownups. They can propel small children halfway across a backyard.) We drained the hot tub on the back deck out of similar safety concerns.

Inside, there was a pull-down ladder to the attic. I loved the attic: it was huge and roomy, and we could stash plenty of clutter up there. The one downside was that the owners had left a few things of their own: a metal rack holding some coats, a letter jacket, and a wedding dress in plastic, and four or five boxes of trophies and other knickknacks. I knew I should have been grateful that they had not left those things in the house itself. Instead I was irritated and tempted to throw it all out.

What were we paying for? Dammit, we were renting a house. We were not renting a storage unit.

It was an unreasonable position, but there it was. Those items were a reminder that we did not own this house, and I did not like how that made me feel.

It was frustrating, for example, that the owners had not trusted us with the remote control to the automatic garage door opener. Every time we entered or exited the garage, we had to park the car, get out, punch buttons on a key pad, and get back in the car. In rain. In snow. In wind. With the kids asleep. With the kids screaming. Every single time it was a pain, and every single time I thought about how temporary and transient our lives were.

Twenty addresses in twelve years. It’s one thing to live like that when you’re poor and living in dirty old apartments. The life of the struggling writer. Paycheck to paycheck, meal to meal, crummy surroundings, cold nights spent under the covers on a hand-me-down futon. It’s living! It’s living free! Hello, Bohemia! But this? Rent at this place was a sizable expenditure, and it was for a house, with a finished basement and a backyard. This was a place for grownups to live in.

And we were grownups, whether we liked it or not, because parents have to be. Granted, I was a baffled, confused parent, a father with no idea what fatherhood meant or how to handle it, with zero strategy other than the single tactic that as a 35-year-old man, I could present what seemed to small children like wisdom and authority. Eventually they would figure me out. For now, I faked being an adult. And it worked: faced with a three-year-old and a one-year-old who believed in me just as they believed in Santa, their optimism and expectations overcoming what was in front of their very eyes, I pulled off a great con, day after day after day. I bluffed them.

So then: a grownup I was, or appeared to be, most of the time. But this house did not make me feel like a grownup. It felt as if the real grownups – the ones with the stuff in the attic, and the ones in possession of the automatic garage door opener – had gone somewhere and left us in charge.

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On a morning that spring I went to retrieve the kids, who were playing next door at the neighbors—the Obama-sign neighbors, not the camouflage-wearing junior soldiers of fortune. I left via our back door, walked across the deck, and headed for the gate that separated our two yards. Even from here I could admire their house, built to appear in Architectural Digest, which was literally the wife’s dream, or perhaps I should say vision. She had acquired two dogs, not because she wanted dogs particularly, but because their butterscotch coats matched the house and would look fantastic in the photo spread.

Her husband had told me this one day with a heavy sigh. I nodded as if I understood, but I felt like I was from another planet. Our house had two rooms that had no furniture at all, and a third that only had two beanbag chairs. Maybe Architectural Digest would have a Minimalist issue we could get in on.

I hopped down the steps and walked around the waterfall that no longer worked, hopefully through nothing my kids had done. And then, as I passed the back of the hot tub, I heard something strange. It sounded like growling.

I stopped in place, afraid to move until I heard what it was.

More growling. Like someone’s loud stomach, except more feral. It was an animal sound, there under our deck, behind the lattice woodwork.

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Brush with Greatness: Harry Shearer and Me!

On Tuesday I launched into yet another high-flying ode to creative freedom and the indie spirit. I railed against the curtailing powers-that-be, those nattering nabobs of negativism, wherever they may reside. I talked about my own experiences with indie publishing, and I cited the example of Martin Short and Harry Shearer, who found the freedom to create the all-time classic Men’s Synchronized Swimming sketch (“I’m not that strong a swimmer” and “I know you, I know you”) when SNL just let them go shoot the damn thing (which Harry contrasted with the rounds of meetings that had marked his experience in L.A.).

And then…a surprise! The comedy god and national treasure Harry Shearer stopped by! And he tweeted this helpful reminder: Continue reading

Writers Laughing: George Orwell

Okay, the degree of difficulty is off the charts for this one. This is a man who agonized over politics and the English language. Who loved England and democracy but spent his life fighting against oppression and tyranny and the dangers of lazy thinking.

Laughing? George Orwell was shot in the throat while fighting in the Spanish Civil War. Come on, Jacke. You really think you can find a picture of him laughing?

Well, here we go:

orwell-alone

Laughing! Right? Okay, maybe it’s no Ray Bradbury…his life was harder, and…

Wait…you don’t believe me? You think that’s just a smile? What are you accusing me of, reader? You think I’m trying to sneak one past you?

Reader, we have a good thing going! Don’t you trust me?

Fine, fine. I’ll give you my evidence. That picture above is taken from THIS picture: Continue reading

A History of Jacke in 100 Objects #21: The Speed Trap

Some advance warning: I’m going to stop this story and start over because it’s the only way I can figure out how to tell it.

So it’s 1980, morning in America, and I’m riding in a car with my grandfather. We are on the way home from the golf course. It’s sunny and we’re in Wisconsin and the car is, I believe, a  1974 Gran Torino. Anyway I’m sure it’s a Ford, because my grandfather bought all his cars from Barney at the Ford Garage, which was just up the road from his house in the small Wisconsin town where he lived.

As we reach the crest of the hill, we see a police car stopped by the side of the highway. He has caught a speeder. Another car—a Ford, no doubt—sits in front of the squad car. The officer of the law is walking toward the driver.

I know what my grandfather is going to say. In fact, I’m about to blurt it out. But I don’t.

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A History of Jacke in 100 Objects #14 – The Bass Guitar

Are you familiar with the Suzuki method? I wasn’t. Oh sure, I’d heard of it—all those cute little violin prodigies, and something about kindergarteners learning how to play by ear that sounded impressive—but I didn’t know many details until I signed my kid up for piano lessons with a Suzuki teacher.

It turns out that Suzuki is great for kids. And really, really rough on parents.

Want to drop your kid off at a lesson once a week and pick him up an hour later? Nope. Because you’ll be sitting there during the lesson, watching and taking notes and cringing at each flaw that you were supposed to work on that week. How about listening to your kid practice in another room while you check your emails? No, that will not be your life. You’ll be in the room, listening, watching, helping.

Every night.

I won’t bore you with the other details except to say that you practice the same songs many times and by the end the kids turn into tiny musical geniuses. What they do is incredible. They can switch hands and play the right hand part with the left hand and vice versa. They can play songs by heart, and they can do things like play the songs backwards, and they can improvise. They can switch keys in mid-song. It’s astonishing. And they all can do it.

Halfway through our first year I realized my kid had developed perfect pitch. It really could not have been going better.

But there I was. Night after night I sat in the chair, listening patiently to my seven-year-old run through the same songs. Twinkle in every possible variation. Honeybee. Cuckoo. Lightly Row. London Bridge. Mary Had a Little Lamb. Long, Long Ago.

All these songs, night after night. And me just sitting there, smiling and nodding and making mild suggestions.

The boredom creeping in. The tension building. Waiting for something new. But no. Back to the Twinkles. Variation A. Variation B. Variation C. Variation D. Honeybee. Cuckoo. Lightly Row…more Twinkles…

Until finally one night I walked out in the middle of practice. I went to my office, closed the door, and turned on the computer.

That was the night I bought a bass guitar, an instrument I did not play, because I needed something new to happen.
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A History of Jacke in 100 Objects #9 – The Intersection

 

I missed The Lion King the first time around, but they re-released it for people like me. Parents with young kids looking to kill an afternoon at the movies. A new generation.

“Jeremy Irons is in it,” my wife says, trying to generate enthusiasm.

“Oh yeah. Him. And Randy Newman songs?”

“Elton John. You know, Circle of Life and all that. Hakuna Whatever.” She scans the computer screen. “Huh. It says here the story’s based on Hamlet.”

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A History of Jacke in 100 Objects #8 – The Burger Car

Home from traveling, I jump into the gray Corolla. I’ve been a Five Guys Dad lately, flying to Los Angeles for work and back home on weekends to take the boys to soccer and movies and the library and their favorite restaurant. It’s not an ideal way to parent, but what can you do? My job requires it, and my life requires my job.

As usual, I’m first. As I wait, the smell inside the car rises up and makes me shudder. Old burgers and fries. The smell of a grill, the smell of grease. I do not feel like I do when I’m on a sidewalk and the hot fumes coming out of a bar make me hungry and eager to go inside. This smell is stale and disgusting and I hate it.

I’ve never liked this car. I was forced to buy it in a hurry (two cars in two days) when moving here from New York and starting a new life. Everything was rushed then, everything was secondary to trying to keep a toddler and an infant fed and clothed and safe. I overpaid for the car; my half of the negotiations still stands as a particularly disgraceful display of weakness on my part.

Hate the car. And now I can’t even muster up the energy to replace it. My wife never drives it. It sits here all week, its slaughterhouse smell trapped inside like The Ghost of Weekends Past. The good times have faded, left behind like grease-splattered paper bags.

With one exception (when a rat chewed through some hoses), the car has been dependable. I hate it anyway. I hate the color, it’s too small, it’s boring, the carpet is already practically destroyed. We’ve abused it with spills and mud and orange peels and juice boxes and crumbs. The car is filthy, inside and out; the windows are crusted with bird droppings; crumbs and bits of leaves line every possible groove. Being in here makes me feel weak and unhealthy and ashamed.

And now there’s the smell. The smell that conjures up all my frustrations.

Here’s Proust on his famous madeleine:

And soon, mechanically, weary after a dull day with the prospect of a depressing morrow, I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake. No sooner had the warm liquid, and the crumbs with it, touched my palate, a shudder ran through my whole body, and I stopped, intent upon the extraordinary changes that were taking place.

Extraordinary changes? Perhaps—but in my case, they were all going in the wrong direction.

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