What was it like to relocate from India to London to America in the early 1970s? And how can a daughter hope to recapture the experience of her father and convey it in fiction? In today’s episode of the History of Literature, Jacke and Mike look at a contemporary classic story, Jhumpa Lahiri’s “The Third and Final Continent.” Along the way, they discuss the tropes of immigrant fiction, the pros and cons of epiphany stories, and whether a story is a “city” or “an old friend.” (Yes, that’s another one of Mike’s special theories.)
JHUMPA LAHIRI was born in 1967 in London, England, the daughter of Bengali Indian emigrants. She moved to the United States when she was two years old and grew up in Rhode Island. A graduate of Boston University, she began writing and publishing her stories of first-generation Indian-American immigrants in the 1990s. Her first book, Interpreter of Maladies, was a huge critical and commercial success, selling over 15 million copies and earning Lahiri the Pulitzer Prize for fiction.
NOTE: This is a self-contained episode of The History of Literature, in which both the story and a discussion of it are provided. No prior reading necessary (unless you’d like to)!
Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to firstname.lastname@example.org.
It’s a deceptively simple story: a man and a woman meet, have an affair, are separated, and reunite. And yet, in writing about Anton Chekhov’s story, “The Lady with the Little Dog” (1899), Vladimir Nabokov said, “All the traditional rules have been broken in this wonderful short story…. No problem, no regular climax, no point at the end. And it is one of the greatest stories ever written.”
What makes this story so good? How does it hold up today? In this episode, Jacke and Mike examine the masterpiece of one of the world’s greatest short story writers. NOTE: This is a self-contained episode of the History of Literature – we read the story itself, so no need to read the story on your own (unless you’d like to).
Help support the show at patreon.com/literature. Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC.
Every year, the Super Bowl draws over 100 million viewers in the U.S. alone, and the Olympics and World Cup will be watched by billions around the world. Movies and television shows about sports are too numerous to count. But where are the novels? Mike Palindrome and special guest Reagan Sova (author of Tiger Island, a novel about sports) join host Jacke Wilson to talk about the world of sports in literature – and attempt to determine why sports are so underrepresented in adult literary fiction.
Works discussed include: Underworld by Don DeLillo, The Pickwick Papers by Charles Dickens, Infinite Jest by David Foster Wallace, Fever Pitch by Nick Hornby, Shoeless Joe (Field of Dreams) by W.P. Kinsella, Bang the Drum Slowly by Mark Harris, The Art of Fielding by Chad Harbach, The Old Man and the Sea by Ernest Hemingway, The Natural by Bernard Malamud, Beowulf, The Shortest Poem in the English Language by Muhammad Ali, Moby Dick by Herman Melville, A Fan’s Notes by Frederick Exley, Rabbit, Run by John Updike, The Great Gatsby by F. Scott Fitzgerald, Humboldt’s Gift by Saul Bellow, The Sportswriter by Richard Ford.
It’s the Thanksgiving episode! Jacke and Mike respond to listener feedback and discuss some literary things to thankful for. Authors discussed include Edith Wharton, John Fowles, Ernest Hemingway, Vu Tran, Lydia Davis, Gary Snyder, Walt Whitman, Elena Ferrante, Walker Percy, Madeleine Thien, James Wood, Harold Bloom, and more!