It’s a deceptively simple story: a man and a woman meet, have an affair, are separated, and reunite. And yet, in writing about Anton Chekhov’s story, “The Lady with the Little Dog” (1899), Vladimir Nabokov said, “All the traditional rules have been broken in this wonderful short story…. No problem, no regular climax, no point at the end. And it is one of the greatest stories ever written.”
What makes this story so good? How does it hold up today? In this episode, Jacke and Mike examine the masterpiece of one of the world’s greatest short story writers. NOTE: This is a self-contained episode of the History of Literature – we read the story itself, so no need to read the story on your own (unless you’d like to).
Help support the show at patreon.com/literature. Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC.
One thought on “The History of Literature #150 – Chekhov’s “The Lady with the Little Dog””
It’s like a painting. Or a poem. Except you get to listen to them, like a voyeur