What was it like to relocate from India to London to America in the early 1970s? And how can a daughter hope to recapture the experience of her father and convey it in fiction? In today’s episode of the History of Literature, Jacke and Mike look at a contemporary classic story, Jhumpa Lahiri’s “The Third and Final Continent.” Along the way, they discuss the tropes of immigrant fiction, the pros and cons of epiphany stories, and whether a story is a “city” or “an old friend.” (Yes, that’s another one of Mike’s special theories.)
JHUMPA LAHIRI was born in 1967 in London, England, the daughter of Bengali Indian emigrants. She moved to the United States when she was two years old and grew up in Rhode Island. A graduate of Boston University, she began writing and publishing her stories of first-generation Indian-American immigrants in the 1990s. Her first book, Interpreter of Maladies, was a huge critical and commercial success, selling over 15 million copies and earning Lahiri the Pulitzer Prize for fiction.
NOTE: This is a self-contained episode of The History of Literature, in which both the story and a discussion of it are provided. No prior reading necessary (unless you’d like to)!
Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to email@example.com.
In the 1960s and ’70s, the Vietnam War dominated the hearts and minds of a generation of Americans. In 1990, the American writer Tim O’Brien, himself a former soldier, published “The Things They Carried,” a short story that became an instant classic. Through its depiction of the members of a platoon in Vietnam, told largely through the tangible and intangible things in their possession as they humped their way through the jungle, O’Brien’s story captures the soul and psyches of young men engaged in a war they cannot understand and filled with a longing for home that must compete with the brutal circumstances of present-day reality. In this episode of the History of Literature, host Jacke Wilson reads the entire short story “The Things They Carried,” then invites Mike Palindrome, President of the Literature Supporters Club, to join him for a discussion of the Vietnam War and the literary masterpiece it gave rise to.
Support the show at patreon.com/literature. Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to firstname.lastname@example.org.
It’s a deceptively simple story: a man and a woman meet, have an affair, are separated, and reunite. And yet, in writing about Anton Chekhov’s story, “The Lady with the Little Dog” (1899), Vladimir Nabokov said, “All the traditional rules have been broken in this wonderful short story…. No problem, no regular climax, no point at the end. And it is one of the greatest stories ever written.”
What makes this story so good? How does it hold up today? In this episode, Jacke and Mike examine the masterpiece of one of the world’s greatest short story writers. NOTE: This is a self-contained episode of the History of Literature – we read the story itself, so no need to read the story on your own (unless you’d like to).
Help support the show at patreon.com/literature. Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC.
“The year was 2081,” the story begins, “and everyone was finally equal.” In this episode of the History of Literature, Jacke and Mike take a look at Kurt Vonnegut’s classic short story, “Harrison Bergeron.” In this 1961 story, Vonnegut imagines a world of the perfectly average, where no one is allowed to be too great – until a hero named Harrison Bergeron comes along. Along the way, we discuss Vonnegut’s life and works, what we think the story means, and Mike’s own attempt to limit himself in order to better function in society. SPOILER ALERT: THERE ARE NO SPOILERS! This episode is completely self-contained. We read the short story, so there’s no need to run out and read it on your own first (unless you want to).
In 1922, the miserable genius Franz Kafka wrote a short story, Ein Hungerkünstler (A Hunger Artist), about another miserable genius: a man whose “art” is to live in a cage and display his fasting ability to crowds that don’t always appreciate what he is trying to do. Inspired by actual historical figures, though suffused with nostalgia and Kafka’s penetrating insight, the story asks us to reconsider our conceptions of art and spectacle, life and death, hunger and humanity. Host Jacke Wilson is joined by superguest Mike Palindrome, President of the Literature Supporters Club, to feast on one of the greatest short stories ever written.
In this second part of a two-part episode, we look at the resounding conclusion of James Joyce’s masterpiece “The Dead,” which contains some of the finest prose ever written in the English language. Be warned: this episode, which runs from Gabriel’s speech to the final revelatory scene, contains spoilers. But don’t let that stop you! Read the story first (if you want), then come back and listen to the episode – and hear the song that launched a thousand complex thoughts in Gabriel (and a million college theme papers for everyone else).
FOR A LIMITED TIME: Special holiday news! Now for a limited time, you can purchase History of Literature swag (mugs, tote bags, and “virtual coffees” for Jacke) at historyofliterature.com/shop. Get yours today!
“She was a combination of Little Nell and Lady Macbeth,” said Alexander Woolcott. Dorothy Parker (1893-1967) wrote short stories, poems, reviews, screenplays, and more. Perhaps most famously, she was part of the group of New Yorkers known as the Algonquin Round Table, which met every day for lunch and eventually grew famous for their witticisms, put-downs, and general high spirits. A woman of brilliance as well as deep contradiction, Parker at her best combined romantic optimism with a dark, biting pessimism that still feels modern.
In this episode, Jacke is joined by the President of the Literature Supporters Club for a field report of the Algonquin Hotel today and a discussion of Parker’s life, works, and top ten quips.