Ernest Hemingway (1899-1961) was one of the most famous American writers of the twentieth century. His plain, economical prose style–inspired by journalism and the King James Bible, with an assist from the Cezannes he viewed in Gertrude Stein’s apartment–became a hallmark of modernism and changed the course of American literature. In this episode, Jacke and Mike take a look at an author and novel, The Sun Also Rises (1927), they’ve been reading and discussing for decades.
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Gertrude Stein (1874 – 1946) would be essential to the history of literature had she never written a word – but she did write words, lots of them, and they’ve led to her having an uneasy position in the canon of English literature. Avant-garde pioneer? Literary charlatan? Or underappreciated genius? In this episode, we look at the fascinating life and works of the incomparable (and irrepressible) Gertrude Stein.
What happens when writers try to get along with other writers? Sometimes it goes well – and sometimes it ends in a fistfight, a drink in the face, or a spitting. Mike Palindrome, President of the Literature Supporters Club, joins Jacke for a look at some of literature’s greatest feuds. Authors discussed include Gore Vidal, Gertrude Stein, Norman Mailer, Marcel Proust, Ernest Hemingway, Vladimir Nabokov, Rick Moody, Jonathan Franzen, Colson Whitehead, Lillian Hellman, John LeCarre, Richard Ford, Dale Peck, Edmund Wilson, Margaret Drabble, Salman Rushdie, Edgar Allan Poe, and A.S. Byatt.
In 1851, a 30-year-old Frenchman named Gustave Flaubert set out to write a novel about a discontented housewife in a style that would melt the stars. After five years of agonizing labor, his book Madame Bovary (1856) changed the world of literature forever. How did Madame Bovary influence authors as different as Ernest Hemingway and Vladimir Nabokov? Host Jacke Wilson takes a special Valentine’s Day look at Flaubert’s innovative novelistic style and his wonderfully compelling heroine, the woman stuck in the provinces who “wanted to die, but who also wanted to live in Paris.”
It’s the Thanksgiving episode! Jacke and Mike respond to listener feedback and discuss some literary things to thankful for. Authors discussed include Edith Wharton, John Fowles, Ernest Hemingway, Vu Tran, Lydia Davis, Gary Snyder, Walt Whitman, Elena Ferrante, Walker Percy, Madeleine Thien, James Wood, Harold Bloom, and more!
Everyone always talks about the greatest openings in the history of literature – I’m looking at you, Call me Ishmael – but what about endings? Aren’t those just as important? What are the different ways to end short stories and novels? Which endings work well and why? In this episode, Jacke and Mike take a look at great literary endings, with some assistance from David Lodge, Charles Baxter, Leo Tolstoy, James Joyce, Flannery O’Connor, Samuel Beckett, Iris Murdoch, Uncle Wiggily, The Third Man, Donald Barthelme, Alice Munro, Henry James, E.B. White, Fyodor Dostoevsky, Ernest Hemingway, F. Scott Fitzgerald, Mary Shelley, David Foster Wallace, O. Henry, Ian McEwan, Thomas Mann, and Joseph Conrad.
Ernest Hemingway (1899-1961) and F. Scott Fitzgerald (1896-1940) were the pole stars of the Lost Generation, the collection of young American authors who came of age in the Paris and New York of the 1920s. The Hemingway-Fitzgerald relationship has been examined for decades and continues to fascinate. Why are we so drawn to these two authors? What do they represent in American literature? Who was the better author, and why?
Jacke and Mike take a look at the great Hemingway-Fitzgerald debate – and challenge themselves to find ten new things to say about these American icons.