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The History of Literature #434 – The Story of the Hogarth Press Part 1 – Virginia Woolf’s First Self-Published Story
Virginia Woolf has long been celebrated as a supremely gifted novelist and essayist. Less well known, but important to understanding her life and contributions to literature, are her efforts as a publisher. In the decades that she and her husband operated the Hogarth Press – starting with a hand-operated printer they ran on their dining Continue reading
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The History of Literature #433 – Emma’s Pick – “To Build a Fire” by Jack London
Is this the greatest man vs. nature story ever? Hard to say. But it just might be the purest. Kicking off a new HOL feature, producer Emma chooses a short story for Jacke to read and discuss – Jack London’s classic “To Build a Fire.”. Get somewhere warm and let your mind drift to the snowy Continue reading
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The History of Literature #432 – Hemingway’s One True Sentence (with Mark Cirino)
“All you have to do is write one true sentence,” Ernest Hemingway said in A Moveable Feast. “Write the truest sentence that you know.” And so he did: the man wrote thousands of sentences, all in search of “truth” of some kind. What does a “true sentence” mean for a fiction writer? What true sentences did Continue reading
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The History of Literature #431 – Langston Hughes
Very few writers have had the influence or importance of Langston Hughes (1902?-1967). Best known for poems like “The Negro Speaks of Rivers,” “I, Too,” and “The Weary Blues,” Hughes was also a widely read novelist, short story writer, and essayist – and his promotion of Black people and culture became central to the cultural Continue reading
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The History of Literature #430 – In Shakespeare’s Shadow (with Michael Blanding)
It’s a paradox that has bothered Shakespeare’s fans for centuries: the man was as insightful into human beings as anyone whoever lived, and yet his own life is barely documented. This combination of literary genius plus biographical uncertainty has spun off a number of mysteries – including the question of how exactly Shakespeare came to Continue reading
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The History of Literature #429 – Books I Have Loved (with Charles Baxter, Margot Livesey, and Jim Shepard)
For years, we’ve enjoyed talking to writers about the books they love best. In this “best of” episode, we go deep into the archive for three of our favorites: Jim Shepard and his youthful discovery of Bram Stoker’s Dracula; Margot Livesey and her love for Ford Madox Ford’s modernist classic The Good Soldier; and Charles Baxter telling us Continue reading
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The History of Literature #428 – Edward Gibbon (with Zachary Karabell)
Since the first publication of his six-volume magnum opus, The History of the Decline and Fall of the Roman Empire, Edward Gibbon (1734-1797) has been ranked among the greatest historians who ever lived. What made his work different? Does it hold up today? And what lessons can a modern-day historian draw from his example? In Continue reading
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The History of Literature #427 – Bashō’s Best – Haiku and the Essence of Life
In our last episode, Jacke looked at the life of celebrated Japanese poet Matsuo Bashō (1644-1694), the widely acknowledged master of haiku. In this episode, Jacke looks deeper into the nature of Bashō’s best works, organizing them into some loose categories and offering some thoughts on haiku in Bashō’s world and ours. Additional listening suggestions: Continue reading
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The History of Literature #426 – Matsuo Bashō – Haiku’s Greatest Master
In addition to being what is probably the most widely used poetic form, haiku is almost certainly the most often misunderstood. In this episode, Jacke examines the life and works of Matsuo Bashō (1644-1694), haiku’s greatest master, as he sorts through his thoughts on the uses (and potential misuses) of the haiku form. What makes Continue reading
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The History of Literature #425 – Tom Stoppard (with Scott Carter)
Born Tomáš Sträussler, in what was then Czechoslovakia, celebrated playwright Tom Stoppard (1937- ) became one of the best known British playwrights in the world. Known for his with and humor, his facility with language, and the depth of his philosophical inquiries, he found success with plays like Rosencrantz and Guildenstern Are Dead, The Coast Continue reading
