Author Jacke Wilson examines the works of three great Greek tragedians, Aeschylus, Sophocles, and Euripides – and attempts to solve the mystery of why Friedrich Nietzsche admired two of the three and despised the other.
Thanks to all of you who made last week the biggest one yet in the brief life of The History of Literature podcast. I’m not sure if Burt Reynolds or Aristotle deserves more credit. (Have you ever had the feeling that you’ve written a sentence that no one has ever, ever written? I just had that feeling.)
This week looks like a good one as well! Tomorrow, we’ll continue our journey through Greek tragedy by looking more closely at the plays of Aeschylus, Sophocles (again), and Euripides. This time we’ll use the lens of the young Friedrich Nietzsche, writing his first book in his burgeoning philosopher/poet/madman way.
The trip through Nietzsche, Wagner, and the tragedians made me think of this unbelievably good sequence from Francis Ford Coppola’s Apocalypse Now:
I don’t think Nietzsche would think much of most of our culture – but for what it’s worth, I do think he would have admired that sequence.