The Art of the Interview

I’ve praised Marc Maron’s podcast before, and it’s (almost) always worth a listen. This week’s episode is especially good: friend of the blog (and underpraised American treasure) Harry Shearer!

There’s a lot of subtext to this one and I’m not sure exactly what to think. Harry’s a complicated guy. He’s funny and brilliant, and yet he seems not to have too many friends. (How can that be!?) I blame showbiz: he’s spent his life battling the entertainment industry, and the fighting spirit has probably spilled over into his relationships with those closest to him. Like a Roman soldier on a decades-long campaign: how many friends did those guys have? Comrades, maybe, but friends? Maybe not so much.

In any case, you can find it here. And if you’re a little wiped out by the SNL 40 hoopla, this is a welcome cleanser.

Saul Bellow and Austin Powers: Together At Last!

Wonderful reader arabpikachuwp4 responds to my post about Saul Bellow’s indie-author spirit:

I can imagine Austin Powers saying “I too like to live dangerously” to Saul Bellow, lol.

Lol indeed! I don’t think my own mind would have made that jump in a million years. But I’m glad someone’s did, because I’ve been laughing about it for days. When does Mike Myers next host Saturday Night Live, and what are the chances of us getting a sketch of Austin Powers meeting Saul Bellow? (I know, I know. The chances are zero. Not slim. Not remote. Not anything-is-possible. Zero. But one can dream!)

Don’t they have the same suit? And the same zest for…ah…whatever the hell Saul is doing with this photo?

SaulBellow Mike-Myers-Austin-Powers-1-
You can read the original post here:

The Indie Spirit: Martin Short and Harry Shearer

My name is Jacke Wilson, and I’m an indie author.

Yes, there’s a stigma attached to this. All those people saying: “Who do you think you are, Jacke Wilson?” and “There is no check on quality anymore! You can’t just SAY you’re a writer.” and “The self-publishing world is like an agent’s slushpile times a zillion!”

I’ve gotten over it. Mainly for the same reasons I gave in my support of NaNoWriMo. What’s the harm to you, Madame Slushpile? Who are you to stop me from writing and publishing what I want?

And also…I do have eyes, people. I’ve been to Barnes & Noble. I’ve seen what the gatekeepers have let through. If anyone think they provide a check on quality, as opposed to marketability…well, I don’t know what to say.

When I first cranked up this blog I posted several tributes to what I called the indie spirit. These were links to people – famous people, celebrated authors or artists – who took things into their own hands. Ezra PoundDr. JohnsonStéphane MallarméMarcel Proust. I had others as well – ten or twelve, I would guess. Some were people who adapted to technology before the rest of the field. Or who wrote a book that was claimed to be “unsellable” or “unpublishable,” but who found a way to sidestep the naysayers and get their voice heard somehow.

I posted a lot of these because I was trying to talk myself into why self-publishing was a good idea. Every success story heartened me; I drank them in, in the way someone afraid of flying might stop off at the airport bar for “shots of courage.”

Now that I’m on the other side (two books, a podcast, a blog, and lots more on the way), I consider my efforts a success. Success on a tiny scale, sure. But tens of thousands of readers and listeners is far more than I ever expected. Frankly, it’s more than most of my friends who have published with traditional publishers have. That’s the dirty little secret of literary fiction: A few Mobys. Lots of minnows.

And my experience has been better than theirs! Most of them hate their publisher: hate the contract, hate the lack of support they received, hate the cover of their book, hate the changes they were forced to make.

I am responsible to no one. I rise and fall with my own decisions. It’s liberating. It feels creative. It feels artistic.

Everywhere else in my life I’m governed by forces out of my control. But in this realm, where freedom is everything, I have it.

My friends have been told that their lack of success on the first book means that publishers won’t want to see their second. Does this have anything to do with quality? Is this how we encourage artists and writers in today’s world? It’s a ridiculous premise.

Most of my friends are so dispirited they’re ready to give up. I’m just getting started!

But set aside all that highfalutin’ puffery. Save that for the intellekshuls, as my beloved Flannery might say.

The main difference between the old way and the new way is this: I was getting nowhere the old way.

I had an idea for a novella-length piece of work. Ready to go! Fresh paper in front of me! Blue pen all revved up! Just a quick run to the agent websites to see where I’ll be aiming this when I’m finished…

Wait, what? A novella? About a hundred pages? You’re telling me not to bother? Nobody wants them? Publishers won’t look at them? Agents laugh behind your back for being so naive?

But…I like reading them. Don’t others like short novels? People are busy, no one has time for a novel…Wait, why the hell are you getting in our way?

Writers! Readers! The decision to connect or not should be their decision, not yours.

Because, Jacke. Just…because.

So then what? Set down my pen? Or decide to bring it out myself?

I brought it out myself.

And whatever you think about its quality, I think you would have to agree that it’s a better outcome than setting down my blue pen altogether. (If you can’t even meet me that far, if you’re going to tell me that I should not even bother writing anything if it’s a length that traditional publishers don’t want to sell, then we’re just not going to agree. Thanks for stopping by. You can go work out your daddy issues or whatever is forcing you into the comfortable thought that People In Charge Know What’s Best For Us. I’ll side with the artists, and the people, and the barbaric desire to create, every time.)

Here’s where Martin Short and Harry Shearer come in. Remember the Men’s Synchronized Swimming sketch? It struck the young me like a hurricane. I did not think I had ever seen anything this funny before.

I hope you’ve seen it. If you’re over forty, you probably have. If you’re a comedy fan, you probably have too. It makes it onto a lot of lists. In any case, it’s here if you want to take a look.

Here’s Martin Short describing his first year of SNL and the short films in particular:

I remember after we shot synchronized swimming, I said to Harry, What do you think we have here? Do you think these pieces are any good? And he said, “I don’t know, but all I know is that in L.A. I would have had two potential meetings about an idea and here at least we’re shooting stuff.” So he was thrilled about that, I remember.

Yes! Yes! And to that I can say, “Stigma? All I know is that in the past I’d have spent a hundred hours writing synopses and cover letters to agents and this way at least I have actual readers.”

So who cares if Grandma’s memoirs go online? Let’s let freedom ring! Let’s let creativity rule! Let’s seize the power! And the day! And the reins! Let’s seize whatever we can get our grubby little artistic hands on!

You’re telling me that books can’t make it in the world without the stamp of someone official? That the author’s imprimatur is insufficient? I refute it thus, Madame Slushpile!

   

Onward and upward, people!

Writing Advice from Will Ferrell’s Dad

Okay, the title is a bit of a stretch. Will Ferrell’s father, a professional musician for thirty or forty years, was actually talking about show business. But his advice is applicable to all creative endeavors and every writer should hear it.

Ferrell told the story about his dad on Marc Maron’s podcast (which I’ve recommended before). The whole interview is worth listening to – it was ninety minutes with the “real” Will Ferrell, not one of his characters. And he’s just what you would hope: thoughtful, genuine, and funny. Underneath that bring-the-house-down persona, there’s a lot of gentle wisdom in that man.

Unfortunately I don’t have the transcript so I’ll have to paraphrase. But first, a little scene setting.

Ferrell had come home from college and figured out that he wanted to try comedy. He started doing some anxious standup in Orange County, then eventually made his way to the Groundlings. He was doing well, although this was still light years away from SNL and comedy superstardom.

Ferrell had lunch with his dad and he told him he wanted to pursue comedy as a career. His dad, who had watched him on stage, gave him some practical advice: Continue reading

Free Fiction Weekend: The Race by Jacke Wilson

His wife once called him “a fifth-rate husband, a shoddy human being, and a washed-up Judas.”  Now he’s running again. And he needs her support. 

Readers! A free excerpt of The Race: A Novella by Jacke Wilson is below.

Want to read the whole thing? Like free stuff? I also have some free review copies available.  I’m happy to give them out! That’s what they’re for! If you would like one sent to you, contact me or just let me know in the comments section.

(By the way, I’m also looking for advance readers for the next manuscript. If you’re interested in insane lawyers hiring insane candidates at insane law firms, this might be the one for you. Let me know!)

And now… the main event! Enjoy!

The Race: A Novella

Chapter One

Throughout the campaign, reporters asked me why the Governor was running. Not if I thought he’d win or what he’d do once elected, but why. Why’s he running? Why? Why? Why’s he doing this to us? Why’s he doing this to himself?

I never knew how to answer. He was a career politician, one of those creatures who need validation by an electorate the way athletes need competition or businessmen need to make money. An egomaniac, a narcissist, a damaged personality looking to fill some kind of hole – all of that was obvious, and true. Only it was not enough for them. Not this time.

I’d usually mumble something or other I’d heard the Governor say – that he wanted to help others, that he believed he was the best person to represent the good people of Wisconsin. But it was no good: they knew I was not a true believer. I’d been on the scene for weeks, not years. I was not a chief of staff or a whispering guru or a speechwriter or a handler or a political advisor of any kind. I wasn’t even a member of his party. Not a relative, not a friend. I was just there.

“Is this another one of your strays?” my wife asked when I told her I was taking a few months off to help write the autobiography of a man nobody loved. “Governor Olson? The ‘gone snowmobiling’ guy?”

“That’s the one.”

She sighed. “Another stray.”

“It’s a paying job,” I said.

She knew, even then, that I would become more deeply involved than the project required. She knew it would happen even though she had no idea that the Governor was planning to run again. None of us did.

Why?

I suppose what follows is my attempt to answer the question:

Why did he run?

And another of my own:

Why do we care?

#

Even before I received the materials I had been tracking the Governor’s career. I was in D.C. and he was in Wisconsin, but it was impossible for me to ignore his ascent. My parents were excited about it, for one thing. My dad had taught him in high school. There was not much else in our town to be excited about. Anyone who broke out of the parochial limits of our area gained the notice, the respect, and the appreciation of everyone in the community. A golfer from a nearby town turned pro and stayed on the Masters leaderboard until late Sunday afternoon: Yes! We’re still here! We exist! Our town produced a tug-of-war team that competed in the World Championships in Ireland: Yes! We can no longer be ignored – we just finished third in the entire world! We count!

And now… a governor with national aspirations. From a town not far from ours.

Still, I was astonished to receive the box. Why me? I had an MFA, which made me a writer, purportedly, and a law degree, which meant I could call myself a lawyer – but I was not a politician or a journalist, let alone a biographer. Had someone given him my name? Maybe he thought he needed someone unconventional?

The package contained two manuscript boxes, six or seven hundred pages of material. There was no cover letter. I thought it might be a prank or a mistake.

He called later that day.

“It’s my autobiography,” he said. “I need some help with the organization. I’m a busy man. When can you start?”

“I’m busy too,” I said.

“I’ll pay you,” he said, brushing off my reluctance. “You’ll enjoy it. I’ve had a fascinating life.”

He assumed I would agree – but then again, he could. He had earned that much at least. His rise had been conventional, but his flameout had been extraordinary. He could have appeared on any talk show he wanted. Any reporter in the country would have taken his call. Even minor scandals have a way of giving you that power.

And his had been spectacular. A sitting governor, an incipient national campaign. Getting traction in the primaries. Not likely to win, but a press favorite. A good chance at being on the Presidential ticket. And then: a disappearance. His staff is cagey. He’s in bed with a cold. Then they say he’s “up north snowmobiling.” The catch phrase takes off: Saturday Night Live bases a skit on it. Rumors abound: rehab, depression, marital problems. Someone says they saw him at an airport. Finally the staff admits they aren’t sure where he is. The governor! Of the state! Is gone!

That was the story for a few wondrous days. The truth when it emerged was just as surprising. He’d gone off, leaving everyone behind: his wife, his four kids, his campaign, the state he was in charge of – all to go and visit his mistress in Italy.

That, of course, was the first big why.

True love? That’s what he claimed in public.

It’s never that simple.

I read enough in the pages he’d sent me to see that there was a more complicated answer.

I took the job to find out what it was.

#

He wanted me to meet him at the Big Boy on Highway 14, near I-90. It was a restaurant I did not know still existed. Not just their Janesville location, but the entire Big Boy franchise. Who still ate there? How did they keep going? But there it was, still chugging away. I sat down on a bench in the lobby and watched Wisconsinites come and go.

After a few minutes a boy came in – he was maybe four or five – ahead of whoever had brought him.

“There he is!” he shouted, and came running toward me.

I stood up, my mind making all kinds of leaps. This boy must be a grandson, the son of one of the Governor’s older boys – the Governor must have brought his whole family. A woman followed the boy through the door – presumably the Governor’s daughter-in-law. And they must all be excited to meet me. The grownups must have told the little boy that they were on their way to meet someone important, a writer who was going to be helping Grampa with an important project.

My mind put all this together in a second, and it changed everything. I stood up, flattered, determined to live up to their expectations. I was a writer, in their eyes if no one else’s, significant enough to make this little guy thrilled to meet me.

I bent over, ready to give him a high five. The boy ran past me and flung his arms around a statue.

“Oh, Big Boy!” he cried, “I knew you’d still be here!”

And Big Boy, the chubby, wavy-haired, smiling lad with the red suspenders and tablecloth overalls and big cherub cheeks and blank eyes, stood in place, absorbing the hug. He was, indeed, still there.

I straightened up and smiled at the mother, who frowned at me with a certain amount of suspicion, perhaps justifiable. Then I wandered into the restaurant.

The Governor was already there, eating a piece of pie.

He had ordered one for me too, but when I didn’t turn up in time he went ahead and ate both. “Sorry about that,” he said with a chuckle. “It’s too good. Too, too good!”

If he was embarrassed – some would say that a failure to control his impulses was not anything he should be laughing about – he did not let it show.

It was strange to see him in reduced circumstances, not quite unrecognized by the people here, but overlooked. He did not look like anyone there. He was wearing a sportcoat and tie, and he still had the shine of a politician: hair blow dried and tamed by product, big white teeth, a bronzy glow to his skin. I could see why the press had viewed him as nationally viable: he was conventionally, if blandly, handsome. If he’d become President he’d have been one of the thinner ones, and one of the more distinguished-looking: a fresh, youthful look, with smooth grooves of worry lines. It was a versatile face: wise and caring, rugged in times of war, sleek and inoffensive in times of peace. For some reason he made me think of a ten-dollar bill: reliable but easily forgotten.

I felt no aura, but then I never do. As is often the case when I encounter people like him, I felt like I was supposed to feel some kind of excitement, but I did not. This was a man who’d held power, whose career and life had been blown apart by a sensational scandal, and who even now had a tabloid-cover international celebrity that was only months old. You might think there would be some buzz around him, but I felt none. Maybe I only felt it when others reacted to people in this way. In any case, it wasn’t happening.

And yet, he carried himself as if he had it. He was brimming with self-confidence, and self-esteem. It was like a doctor who acts like a doctor even outside the hospital – on the golf course, say, even though his status at the hospital doesn’t matter there.

The waitress came by and I saw his political side emerge. “That pie was absolutely delicious,” he said, beaming. “So good I wish I could eat another.”

She was bored and tired, but she treated him with affection, smiling just for him, as if he alone among all her customers could make her day.

“Looks like you already had two,” she said, loading the plates onto her tray.

“These must be Wisconsin cherries!”

“You know it, doll,” she said, bustling away.

It was a fascinating exchange. In fact the pie had been filled with a gelatinous cherry-like substance that had probably come from some factory in New Jersey.

“Let’s talk about the book!” he said to me. “You’ve read it?”

I nodded.

“It’s got everything in it. It’s all there,” he said. “It could use some organization. Maybe some rearranging – you can help with that. Some chapters are too long. We could break ‘em in two, you know. People are busy, they like short chapters.”

I nodded again. The book had a lot more trouble than he seemed to realize – it was, in fact, a complete mess.

“A couple times I felt like I said the same thing twice. And there might be a spot or two where it runs out of steam. You can help me fill those in.”

“Sure.”

He nodded more to himself than to me. “It’s got no ending, I know, but guess what?” He put both hands on the edge of the table, leaned forward, and lowered his voice. “My story is not over.”

I didn’t know what he meant. Of course he had many years still ahead of him, and he had a chance to live them with some measure of dignity. I imagined him working as a lawyer, or a lobbyist, in a low-profile, behind-the-scenes way. He had plenty of businessmen friends. He could put his marriage back together, eventually, and serve on boards and blue-ribbon committees assessing budgets or job creation programs. He could move to D.C. or stay in Wisconsin, and work hard. In twenty years he’d be a “whatever happened to…” guy and people would be impressed that he was still around and had not continued to embarrass himself.

But this was not what he had in mind, obviously. His eyes were wide open and dancing. They were blue, as infinite and as thin as the sky, wide but not deep.

“I’m running for Congress,” he said, as a slow grin took over his face. He leaned back in the booth and pounded the table with his palms. “We’ll give this book a heck of a last chapter!”

I mumbled some kind of agreement. I think I also mentioned – incredibly, it seems to me now – that the book probably didn’t need a new ending if he decided to change his mind. Why did I say that? Why do you tell someone to stop downing shots of tequila? Concern for humiliation, poor judgment, maybe physical well-being. It was a human instinct.

But he was determined. “Let’s go see Tina!” he said, dropping money on the table and loping toward the door.

That was all I needed. If you care about my motivation – me, a nobody – then that was it. That was my why. This narrative was rushing forward and I couldn’t turn away.

Tina? The wife who had called him “a fifth-rate husband, a shoddy human being, and a washed-up Judas”? And not only would I get to witness their encounter, I would be driving the car that took him there? I did think we’d get a new ending for his book, but maybe not the one he expected.

On the way out he made sure to swing by the cash register and tell the manager how great the service had been. The waitress appeared, and the governor immediately fished another bill out of his wallet. It was a ten.

“An extra tip,” he said, bestowing it on her. “Never had a better time.”

The woman beamed.

It was in him to be a politician. He had all the skills, and the energy, and the spirit.

And now, headed to see his wife? He would need it.

#

The Race: A Novella by Jacke Wilson is available now at Amazon.com.

Copyright 2013 by Jacke Wilson. All rights reserved.