Jacke plays a clip from Nabokov discussing his famous novel Lolita, in which the frantic narrator Humbert Humbert recounts his passionate (and illegal, immoral, and illicit) love for a young girl. After hearing from the author, Jacke plays clips from three History of Literature Podcast interviews: Jenny Minton Quigley, Jim Shepard,, and Joshua Ferris.
Sputnik! Cuba! Glasnost and perestroika! In this follow-up to the very popular England vs. France literary battle royal, Jacke and Mike choose up sides and imagine the Cold War being fought by each nation’s greatest authors. Enjoy!
Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.
Music Credits:
“Sweeter Vermouth” and “Bad Ideas” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
“Gogol was a strange creature,” said Nabokov, “but genius is always strange.” Nikolai Vasilievich Gogol (1809 – 1852) rose from obscurity to a brilliant literary career that forever changed the course of Russian literature. Born in 1809, he and his contemporary Pushkin influenced the titans who followed, including Tolstoy and Doestoevsky and Chekhov. Best known for his novel Dead Souls, his play, The Government Inspector, and a handful of classic short stories like “Diary of a Madman” and “The Nose,” it is his short story “The Overcoat” that perhaps best expresses his artistry and influence. As Doestovsky famously said, “we all come out from under Gogol’s overcoat.” But who was this unusual writer? Where did he come from? What was so different about his fiction, and what made it resonate with readers? And why does his story “The Overcoat” still have the power to make Jacke weep?
Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.
When asked to name the three greatest novels ever written, William Faulkner replied, “Anna Karenina, Anna Karenina, Anna Karenina.” Nabokov said, “When you are reading Turgenev, you know you are reading Turgenev. When you read Tolstoy, you are reading because you just cannot stop.” And finally, there’s this compliment from author Isaac Babel: “If the world could write itself,” he said, “it would write like Tolstoy.”
But who was Leo Tolstoy? How did he become the person who could write War and Peace and Anna Karenina, two of the pinnacles of the novel form – and two of the greatest achievements in the history of human civilization? Why did he stop writing novels, and what did he do with the rest of his life?
In this episode, host Jacke Wilson takes a look at the life and works of Count Leo Tolstoy, one of the most fascinating and revered figures in all of literature.
Help support the show at patreon.com/literature. Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC.
FREE GIFTS! The gift-giving continues! This month, we’re giving away a copy of Nabokov’s Lectures on Russian Literature and an Amazon.com gift certificate for the book of your choice. Sign up at patreon.com/literature to be eligible to win. Good luck!
Very few works of art have had the cultural and literary impact of J.D. Salinger’s novel The Catcher in the Rye. An immediate success upon its publication in 1951, and popular with teenagers (and adults) ever since, the book has sold over 65 million copies – and inadvertently led to two notorious assassination attempts in the 1980s. Have we moved beyond The Catcher in the Rye? Are its innovations still as fresh as they once were? Do its themes of alienation and disaffection still resonate? Mike Palindrome, President of the Literature Supporters Club, joins Jacke for a reconsideration of the book that critic Adam Gopnik called “one of three perfect American novels.”
FOR A LIMITED TIME: Special holiday news! Now for a limited time, you can purchase History of Literature swag (mugs, tote bags, and “virtual coffees” for Jacke) at historyofliterature.com/shop. Get yours today!
Author Jim Shepard joins the podcast to discuss everything from the humor of Christopher Guest and S.J. Perelman to the poetic philosophy of Robert Frost and F.W. Murnau’s classic film, Nosferatu. He and host Jacke Wilson flutter around Nabokov’s Lolita, sink their teeth into Bram Stoker’s Dracula, and descend into the world of volcanoes in Krakatua 1883, where they explore how an author discovers emotional truths in unexpected places. Other works and artists discussed include Robert Frost, Howard Nemerov, James Thurber, Robert Stone, Anne Carson, Love at First Bite, and the deadpan style of Pat Paulsen.Podcast: Play in new window | Download (Duration: 1:00:50 — 42.0MB) | Embed
With a strong claim to be the first novel in history, the Japanese classic The Tale of Genji (ca. 1001-1012), by Murasaki Shikibu, or Lady Murasaki, is one of the world’s greatest literary masterpieces. But who was Lady Murasaki, and what compelled her to write this story of an idealized prince and his many lovers? How innovative was she? And do the intrigues of the imperial Japanese courts from a thousand years ago still have the power to fascinate, entertain, and instruct us today?
On Twitter, you can follow Jacke Wilson at his handle @WriterJacke. You can also follow Mike and the Literature Supporters Club (and receive daily book recommendations) by looking for @literature SC.
“A wise reader reads the book of genius not with his heart, not so much with his brain, but with his spine. It is there that occurs the telltale tingle…”
Jacke Wilson 