Following our last episode with Patricia Engel, Jacke takes a closer look at Gabriel García Márquez, including his literary influences, his search for truth in nostalgia and history, and his use of invention and the marvelous to approach a kind of heightened sense of what’s possible, what’s actual, and what’s essential.
In this episode, Jacke welcomes author Sarah Bird to the program to talk about her background, her writing, and her readerly passion for the fiction of the great twentieth-century novelist, Gabriel García Márquez.
GABRIEL GARCÍA MÁRQUEZ (1927-2014) was one of the most revered and influential novelists of the twentieth century. Born in a small town in Colombia, which he later made famous as the fictionalized village “Macondo,” he drew upon the stories and storytelling styles of his grandparents and parents to formulate what came to be called “magical realism.” His books One Hundred Years of Solitude and Love in the Time of Cholera have sold tens of millions of copies and stand as a testament to the power of fiction. He was awarded the Nobel Prize for Literature in 1982.
SARAH BIRD is a member of the Texas Literary Hall of Fame, the recipient of the Texas Institute of Letters’ Award for Distinguished Writers, and a six-time winner of the Austin Chronicle’s Best Fiction Writer Award. Her most recent novel, Daughter of a Daughter of a Queen, tells the story of Cathy Williams, a former slave who disguised herself as a man in order to fight alongside the Buffalo Soldiers.
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Haruki Murakami (b. 1949) is one of the rare writers who combines literary admiration with widespread appeal. Host Jacke Wilson is joined by lifelong Murakami fan Mike Palindrome to discuss what makes his novels so compelling, so mysterious, and so popular. Works discussed include The Wind-Up Bird Chronicle, Norwegian Wood, Kafka on the Shore, and many others. Special Bonus Quiz: Can you tell the difference between famous quotes by Murakami and YA novelist John Green?
Another big smiler – like Alice Munro, there are a million pictures of him smiling. And smiling broadly, with his eyes crinkly and his mouth slightly open. But laughing? You just know he had to laugh all the time – but whether those were captured in the pre-cell phone era is another question.
I found a few where he and Fidel are laughing, which I decided not to use. Instead, I’ll go with this one:
And then this one, which I love (“writers laughing with small children” is a good sub-category):
Staged for a photographer? Possibly. Do I care? Not at all!