What makes a great first novel? Which do we prefer: the freshness of a new style (even if it contains mistakes), or the demonstration of competence (even if it breaks no new ground)? Does it matter if the book is the best (or only) novel by that author? Or do we prefer the debuts that initiated a long, distinguished career? Join host Jacke Wilson for a conversation with his friend, the President of the Literature Supporters’ Club, on the best debut novels in the history of literature.
Podcast: Play in new window | Download (Duration: 56:58 — 39.4MB)
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Books Discussed:
Lucky Jim by Kingsley Amis
Catch-22 by Joseph Heller
Frankenstein by Mary Shelley
The Catcher in the Rye by J.D. Salinger
The Broom of the System: A Novel by David Foster Wallace
Remembrance of Things Past by Marcel Proust
Madame Bovary by Gustave Flaubert
A Portrait of the Artist as a Young Man by James Joyce
Jane Eyre by Charlotte Brontë
Wuthering Heights by Emily Brontë
The Trial by Franz Kafka
The Bluest Eye by Toni Morrison
Revolutionary Road by Richard Yates
A Study in Scarlet by Sir Arthur Conan Doyle
To Kill a Mockingbird by Harper Lee
Robinson Crusoe by Daniel Defoe
Wise Blood: A Novel by Flannery O’Connor
Don Quixote by Cervantes
The Sun Also Rises by Ernest Hemingway
This Side of Paradise by F. Scott Fitzgerald
Doctor Zhivago by Boris Pasternak
The Hobbit by J.R.R. Tolkien
The Picture of Dorian Gray by Oscar Wilde
Harry Potter and the Sorcerer’s Stone by J.K. Rowling
Gone with the Wind by Margaret Mitchell
Sense and Sensibility by Jane Austen
Dangling Man by Saul Bellow
Invisible Man by Ralph Ellison
A Confederacy of Dunces by John Kennedy Toole
Soldiers’ Pay by William Faulkner
White Teeth: A Novel by Zadie Smith
Brick Lane: A Novel by Monica Ali
The Bell Jar by Sylvia Plath
Speedboat by Renata Adler
Lord of the Flies by William Golding
Roderick Hudson by Henry James
The Pickwick Papers by Charles Dickens
Adam Bede by George Eliot
Childhood by Leo Tolstoy
I, Robot by Isaac Asimov
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
You can find more literary discussion at jackewilson.com and more episodes of the series at historyofliterature.com.
Contact the host at jackewilsonauthor@gmail.com or by leaving a voicemail at 1-361-4WILSON (1-361-494-5766).
Music Credits:
“Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA).
“Sweeter Vermouth” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0