Some interesting speculation that digital publishing, with its lower overhead costs, will lead to the rise of the novella. And why not? Readers like reading them, authors like writing them, but most importantly: sometimes that’s how long a story should be. It’s the difference between Monty Python ending a scene abruptly vs. SNL stretching one out to fill up 90 minutes of airtime on a thin week. How many times have authors, plugging away to get to some arbitrary minimum that their traditional publisher demands, felt like Krusty in the Big Ear Family? And how often does that translate directly into boredom for the reader?
Jacke Wilson 
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