TagsChekhov
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The History of Literature #299 – The Cherry Orchard
In 1971, critic J.L. Styan wrote: “In The Cherry Orchard, Chekhov consummated his life’s work with a poetic comedy of exquisite balance.” In this episode, Jacke and Mike take a look at Chekhov’s final play, including a draft of the Top 10 lines of dialogue. Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, Continue reading
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The History of Literature #295 – The Past, The Future, and Chekhov
It’s still Chekhov month! In this episode, Jacke sets the table for the History of Literature’s analysis of The Cherry Orchard (1904) with a look back, a look ahead, and a preview of the play’s major themes. Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike Continue reading
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The History of Literature #294 – Three Sisters
In the third installment of Chekhov’s Four Major Plays, Jacke takes a look at Three Sisters, which tells the story of three sisters living in a provincial capital and longing for Moscow. Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Continue reading
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The History of Literature #292 – Uncle Vanya
In the second installment of our look at Chekhov’s four major plays, Jacke takes a look at Uncle Vanya (1898), the story of an estate manager struggling to make sense of his life. Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Continue reading
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The History of Literature #290 – The Seagull (Chekhov)
In 1896, the 36-year-old Chekhov suffered one of the worst experiences of his life, when his play The Seagull was performed in front of an audience so hostile that one of the lead actresses lost her voice. Two years later, a production of the same play (in better hands) became one of the great triumphs in the Continue reading
