Month: September 2020

The History of Literature #233 – CS Lewis

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Clive Staples Lewis (1898-1963) was an Irish-born writer who spent most of his adult life in Oxford and Cambridge, studying, teaching, enjoying the company of friends (including J.R.R. Tolkien) – and also writing some of the most widely read and influential books of his era. He wrote some works of scholarship, as might be expected of an Oxbridge professor, but it was as a Christian apologist and a writer of fiction – in particular as the author of The Chronicles of Narnia – that he became most widely known. In this episode, Jacke takes a look at Lewis’s life and works, which included (among many others) The Screwtape Letters, Mere Christianity, A Grief Observed, and of course, The Lion, the Witch, and the Wardrobe and its sequels.

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

Music Credits:

“Monkeys Spinning Monkeys” and “Piano Between” by Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

The History of Literature #232 – The Diary of Samuel Pepys

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Samuel Pepys (1633-1703) was a successful administrator and general man-about-town in Restoration London. As a devoted theatergoer, a capable bureaucrat, and a privileged witness of the King and his court, he saw firsthand many of the most important developments of the 1660s, including events like the Great Plague of London (1665) and the Great Fire of London (1666). And he was one of the world’s great diarists, carefully recording his daily life and general observations in a work he kept secret from all eyes but his own. For over a hundred years his name was little known, until the publication of the diary shocked a nineteenth-century audience. Here was a previous London brought to life – a city rich with intrigue and packed with sexual escapades and scandals – and here too was an unassuming narrator, whose descriptions of food and fashion and activity and his own marriage and many infidelities, proved a perfect guide to transport readers to another era. Pepys’s diary became a perfect bedside book, readable even today for its fascinating detail, wry good humor, joy and heartbreak, and insight into the human condition.

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

The History of Literature #231 – James Baldwin | Going to Meet the Man

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James Baldwin (1924-1987) was a fearless artist, an uncompromising critic, a brilliant essayist, and an American who lived within his time and yet was decades ahead of it. In this episode, Jacke takes a look at Going To Meet the Man,” Baldwin’s provocative story of the power dynamics at play within a white Southern man who attends a lynching. (Warning: This story of racism, violence, and sexual activity is graphic and brutal. Listeners may want to exercise caution.)

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

The History of Literature #230 – William Faulkner – A Rose for Emily

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William Faulkner (1897-1962) is one of the most celebrated and divisive figures in American literature. Widely recognized as one of the greatest novelists America has produced, his fiction and his life have become the stuff of legend. In this episode of The History of Literature, Jacke talks through our understanding of Faulkner and what he means to us today. Are these the revelations of a Southern prophet? Or “corncobby chronicles” (as Nabokov put it)? And how do we assess a writer whose undeniable storytelling power was accompanied by personal views that shock us today? Can we see those moral blindspots when we look at his fiction? What truths do we find in his works – and are they the truths he wanted us to see? And finally, Jacke and Mike take a deeper look at Faulkner’s masterpiece, “A Rose for Emily.”

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

Music Credits:

“DarxieLand” and “Greta Sting” by Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

The History of Literature #229 – Baldwin v Faulkner

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In the 1950s, William Faulkner (1897-1962) was one of most celebrated novelists in America, highly praised for this formal innovation, his prodigious storytelling gifts, and his sweeping, multigenerational portrait of Southern society.

James Baldwin (1924-1987) was a writer on the rise, youthful and energetic, fearless and incisive, known for essays and commentary as brilliant as his fiction.

In this episode of The History of Literature, we take a look at the public debate surrounding the civil rights movement, which Faulkner addressed in a (purportedly) drunken interview in which he said, “If I have to choose between the United States Government and Mississippi then I’ll choose Mississippi. If it came to fighting I’d fight for Mississippi against the United States, even if it meant going out into the street and shooting Negros.” At calmer points, Faulkner freely acknowledged that desegregation was the correct view “morally, legally, and ethically” but was not, in his view, “practical.”

In 1956, writing in the pages of the Partisan Review, Baldwin responded to these and other Faulkner statements with a brief, dazzling essay “Faulkner and Desegregation,” in which he analyzed Faulkner’s position on race, linked Faulkner’s publicly expressed views to the inner world of the Southerner of the 1950s, and – it became clear a few months later – set the stage for his own efforts to inhabit and portray the mindset of a white Southerner in his fiction.

How does the fiction of these two men work? What did it say about race and power and the precarious balance of a time, a place, and an era? What does understanding this mean for us today? We’ll explore those questions in our next two episodes, where we look at a pair of short stories, Faulkner’s “A Rose for Emily” and Baldwin’s “Going to Meet the Man.”

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

Music Credits:

“Darxieland” and “Allemande Sting” by Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

The History of Literature #228 – England vs France – A Literary Battle Royale

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“Our dear enemies,” a French writer once said of the English. Englishman John Cleese called them “our natural enemies” and joked “if we have to fight anyone, I say let’s fight the French.” With the exception of a few big twentieth-century alliances, the French and the English have been at each others’ throats for a thousand years. Occasionally this has meant taking up arms and fighting for land or religion or rule. But what about culture? What if the battlefield were a literary one? What if supremacy was determined not by the sword but by the pen? In this episode, Jacke and Mike choose their sides and get ready to wage a literary battle between two proud, rivalrous, and highly literate nations.

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com

The History of Literature #227 – The Country Husband by John Cheever

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John Cheever (1912-1982) scratched the surface of the American suburbs and found that they were built over a deep pit of despair. His short stories and novels, which chronicled the lives of those damaged psyches trying to put an alcohol-fueled gloss on the world’s dark stains, earned him admiration and acclaim – and seem to have done little to ease his own pain. In this episode, Jacke takes a look at one of Cheever’s masterpieces, “The Country Husband” (1954), which tells the story of a man who survives a plane crash only to find that nothing in his world as a husband and father has changed. What other breaks in the continuum might there be? Can any of them pull him out of his nightmarish fugue state? Is a dying star destined to fall and fade, or can it point the way to something grand?

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

Music Credits:

“Et Voila” by Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

The History of Literature #226 – Jorge Luis Borges

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Jorge Luis Borges (1899-1986) went from a childhood in Buenos Aires, Argentina, to a wildly successful literary career, as his poems, short stories, and essays stunned the world with their inventiveness, intellectual seriousness, and flights of imagination. He was more than a writer, and maybe more even than an icon: he was what we might call a human literary genre, the creator of a type of literature that he alone practiced and perfected. In this episode, Jacke and Mike celebrate the works of Borges and take a look at the writers he influenced.

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

Music Credits:

“Tango de Manzana” by Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

The History of Literature #225 – A Village After Dark by Kazuo Ishiguro

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In this special quarantine edition, Jacke takes a brief look at the life and works of Kazuo Ishiguro, winner of the Nobel Prize for Literature, and his short story “A Village After Dark.”

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

Music Credits:

“Onion Capers” and “Magistar” by Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

The History of Literature #224 – Albert Camus

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Albert Camus (1913-1960) was born in Algeria to French parents. After his father died in World War I, when Albert was still an infant, the family was reduced to impoverished circumstances, forced to move in with relatives in an apartment without electricity or running water.

From these humble beginnings, Camus went on to become one of the most famous and celebrated writers in the world, winning the Nobel Prize for Literature at the improbably young age of 44. In this episode of the History of Literature, we look at his works, including The Stranger and The Plague; his entanglement with the existentialists (a label he rejected); the analysis of his works by Jean-Paul Sartre; and the three possible philosophical responses to humanity’s essentially absurd condition.

Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com.

Music Credits:

“Parisian” by Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/